The realistic life drama "The Right Way to Open Life" broadcast by Jiangsu Satellite TV and Oriental Satellite TV tells the story of Bian Liang, the manager of an automobile sales company, who reached middle age and entered a bottleneck period in his career. In the raid of his ex-girlfriend Dong Xiao and the encirclement of work problems and career crisis, he maintained his small family with his wife Fu Xintong and his son Bian Xiaofang, and finally re-examined his life and restarted his career and life.

According to the previous official propaganda, its purpose is to show the plight of middle-aged people in the city by light comedy while keeping the theme clear and close to reality, without creating anxiety for the audience. In short, it means "both want, want and want."

So, according to the official propaganda, is it up to standard? Obviously not. Not only the ratings are pitifully low, but even people can’t afford to vomit it.
The lineup of this play can be said to be first-class, depending on several actresses and young actors, all of them belong to the top. The heroine is Mei Ting, and just last month, because of the wonderful performance contributed by the suspense drama "The Daughter Who Came Back", countless audiences left an adult shadow.

Another Zhu Zhu is a representative of sexy and mature actresses who have emerged in recent years. Big waves, red lips and tight skirts have become her standard.
And Rong Zishan, who plays the hero’s son in this drama, because in a suspense drama "Hidden Corner" in that year, with the performance of not losing to any old drama in the drama at a young age, the audience felt creepy when they saw him, and they couldn’t help but call out: the potential is endless.
Therefore, after this drama, Rong Zishan’s exposure in recent years seems to have soared like a rocket, and the resources are so good that they explode. However, it is a drama with so many good actors, but it can only let the audience watch two episodes at most, and after a few more minutes, everyone can’t stand it.

In terms of plot content, it is a running account. It doesn’t stink for a long time. It’s not like the water-filling car wheel talk in the seventies and eighties, and it doesn’t look like the old lady’s foot wrap. But after watching the first two episodes, you don’t know what kind of story you told. It seems that you didn’t watch it, wasting more than 80 minutes.
In the play, it should have been set as a point of dramatic conflict, such as ex-girlfriend parachuting, son rebellious playing games, middle-aged unemployment, etc., but it was so uneventful that people were untouched.
When watching it, people can’t help wondering whether these actors who usually choose scripts safely and have good acting skills owe money to the director and screenwriter. When they are reading the script or filming, don’t they feel that the plot is boring and has no content?

What is even more outrageous is the intention of the whole series. The hero in the play is a middle-aged man in the city. He is a successful man. He lives in a duplex small building. His wife can quit her job and become a full-time wife. washing my hands to make the bridal soup is at ease as a housewife. The plan of the couple is to send his underage son abroad to study. Even if he is cheated by the study agent for one million yuan, they will be considered to have paid the tuition fee. This money is not a problem for their family.

At this point, the glamorous ex-girlfriend suddenly parachuted in, pandering with the hero, pulling in a non-literal sense, and all the body and soul were mixed together. The first scene of the reunion between Zhu Zhu’s ex-girlfriend and ex-boyfriend is that the other party tripped over the sliding tire of the chair and fell into the woman’s arms directly. I was dragged to Shoot by my ex-girlfriend, and the wedding photos of her and her fiance were openly held hands and cuddled.
This plot is like a middle-aged man’s yy fantasy, which makes many viewers feel uncomfortable. The outrageous degree of his fantasy and some bridges can simply compete with Gentlemen of the East Eighth District.
The most terrible thing is the cognition of the sensitive topic of fertility in this drama. There is no woman in the play who does not die around childbirth. The actor’s ex-girlfriend, now successful, beautiful and sexy, is still infertile because of abortion in that year, which is the biggest pain in my life. The current wife of the hero regards the child as her life, and one bite of her son is the continuation of her life.
If the screenwriter really wants to use this drama to encourage everyone to have children, I hope everyone can inspire their passion for children. He should bury such a foreshadowing in the plot, so that everyone can see the love between mother and son, instead of letting the protagonists say extreme lines to instill such a distorted concept into everyone’s mind.
It’s a pity that these actors’ acting skills are naturally smooth. All the emotions should be in place, and the audience knows what they are feeling when they watch it, but there is no way to remember what role they are shaping.