标签： 杭州桑拿洗浴论坛

　　The online drama "The Long Season" broke down during the May Day holiday, making "suspense", "Northeast China" and "laid-off workers" become hot topics again. Why does the story of the frustrated and failed old man’s revenge for his son impress the current audience? Why are the "old cases" that could not be told and detected 20 years ago repeatedly "cleared up" by film and television dramas after 2010? All history is contemporary history. In the name of suspense drama, people once again feel the social trauma suffered by urban workers in the transitional period of the 1990s.

　　Looking back on the industrial suspense drama in the 1990s.

　　"The Long Season" was filmed in Kunming, Yunnan. The biggest label of this drama is suspense drama, especially the director Xin Shuang once created the masterpiece "Hidden Corner" of domestic suspense online drama. This online drama is set in Hualin Iron and Steel Plant, with the case of dismemberment more than ten years ago as a clue, and presents three parallel time and space stories in 2016, 1998 and 1997. There are two generations, Wang Xiang, Gong Biao and Ma dui, who secretly investigate the case of dismemberment, and Wang Yang and Shen Mo, who fall from the youth of the flower season, and show the vicissitudes of life. The highlight of this drama is not only to uncover the mystery of "suspense" at the end of the drama, but also to reproduce the mental pain of laid-off workers who have undergone market-oriented reform like still life sketch.

　　In 2014, Yinan Diao, the sixth generation director, combined the northern industrial towns with murder and suspense stories, presenting a tense and chilling atmosphere. Then in 2017, the film "Blizzard is Coming", "Detonator" and other works once again started suspense narration with the factory as the background. In 2018, Lou Ye directed A Cloud Made of a Rain in the Wind, and in 2019, Yinan Diao directed The Party at South Station, which represented the 1990s and the beginning of the new century as a "dark" space full of crises and dangers. In this sense, The Long Season continues this narrative type of "industry+suspense+black", turning industrial cities and factory spaces into "scenes" of murder and crime. The typical representative of black and suspense films is Hitchcock’s films in 1950s and 1960s, which are used to show the social emotions of anxiety, nervousness and fear of the urban middle class who don’t know where the danger comes from. These films, which combine the local context with the times and are full of crimes and suspense, show people the humble fate of the little people trapped by the big times, and show how individuals are caught in the black whirlpool of desire in the market-oriented reform in the 1990 s, as well as show people’s floating and fear of the times when they are laid off.

　　If the market-oriented reform from 1990s to around 2010 is regarded as the transition period of the dual-track reform, then the economic rise of China in 2010 has started a re-examination of the 1990s. For example, the black suspense online dramas Crime Without a Certificate (2017), Chasing the Murder in the White Night (2017), Hidden Corner (2020) and Silent Truth (2020) all happened at the turn of the new century. At the beginning of 2023, The Knockout, an online drama, became a rare TV series that crossed classes and became popular in recent years. This story of the second generation of the factory going to the underworld at the turn of 2000 is like another version of The Long Season. All these show that the police criminal investigation drama, once a realistic theme, has gradually changed into a more Hollywood black suspense drama.

　　Different from the cultural identity of forging ahead and embracing globalization in the 1990s, The Long Season has a different narrative about the story of laid-off workers in the 1990s: all kind and honest people have been laid off, while the powerful class represented by the factory director (power) and fake Hong Kong businessmen (capital) are bad guys who embezzle and misappropriate public funds. This rewriting shows the rethinking and examination of the narrative in the 1990s after 2010.

　　From Patricide Culture to Father’s Return

　　In addition to the "blackening" in the 1990s, since 2010, another cultural symbol is the appearance of an image and the return of his father. Different from the patricide culture in the May 4th Movement or 1980s (denying the previous era), China’s films have intensively told the story of his father’s return in the past ten years. For example, the father of workers in Piano of Steel (2011) and August (2016), the red father in Taking Tiger Mountain 3D》(2014), the right father in Return (2014) and One Second (2020). The father’s story is accompanied by the reconstruction of the father-son order, such as The Wandering Earth (2019), Looking Up (2019), Feng Bao (2021), Me and My Father (2021) and other films showing the story of father-son reconciliation and son inheriting his father’s business. These images of returning fathers play a dual social function. One is to rewrite the historical memory and let the exiled father return to history. Second, the Oedipus complex between father and son has changed into "loyalty and filial piety", which reflects the re-establishment of patriarchal order, which is related to China’s modernization and economic rise. However, this picture of reconciliation between father and son is also full of cracks, which shows the dilemma and drift of cultural narrative.

　　The Long Season has formed an intertextual relationship with works such as The Piano of Steel and August. "The Piano of Steel" rewrites the image that laid-off workers, as the "eldest son of the Republic" and "the big brother of the working class", were eliminated in the name of inferior and backward labor. The laid-off workers in the film are all "skilled craftsmen" who are hidden and hidden from the people, and they have transformed themselves into skilled workers with clear division of labor and their own duties in the ruined factory buildings. Similarly, the 2016 literary film "August" is also a tribute to the father who experienced the changes in the 1990s: for the father who is engaged in film editing, on the surface, he believes that he can rely on his ability to eat from now on, but in fact he does not want to "lower his noble head". Because he knew that he would lose a stable life and friendship with his colleagues when he changed from a state-owned worker with the main body of the master to a hired worker, and he was greeted by being displaced, swallowing up and trying to earn money. On the one hand, these films regard laid-off workers, losers and people who leave the system as fathers; On the other hand, they perform their father’s duties in movies, such as building a piano for their daughter in Piano of Steel, going out to work for their son to attend a good middle school in August, and the meaning of father’s life in Long Season is to "settle grievances" for his son.

　　The premature death of the family and the pain of reform

　　However, unlike the father’s return and the reconstruction of father-son order, The Long Season also tells the story of his son’s untimely death. Such plots have been reflected in Wang Xiaoshuai’s chongqing blues (2010) and Forever (2019) — — The former tells the story of the return of the father who went out to work for a long time, investigates why his son died, and finally finds that the son who lacks fatherly love has committed suicide; The latter is that the son accidentally drowned, his parents were laid off, and the family left the factory and moved to a distant place to start a more difficult life. The same is true of The Long Season, in which the return of father and the death of son become the most prominent mental symptoms. The Long Season focuses on the train driver Wang Xiang, and takes the double trauma he suffered in 1998 as the turning point in his life: one is the accidental death of his son and the death of his wife; Second, I have been laid off from the technology of "loving the factory like home" as a taxi driver. For Wang Xiang, two "homes" died in the autumn of 1998, one was his own family and the other was the home of the unit. Therefore, there are two Wang Xiang in the play, namely, a model worker who was full of pride and sense of justice before he was laid off, and a white-haired little old man who later lost his mind. With the help of Wang Xiang in the two eras before and after, the changes of the times of steel mills and industrial cities with factories as the core in the 1990 s were brought out, and the reform from the 1990 s to the beginning of the new century was expressed as an era of trauma and pain.Present the social crisis and transformation dilemma in the market-oriented reform.

　　In a word, these film and television works that returned to the 1990s have re-opened the old scars of laid-off workers, showing the new problems brought about by the reform and opening up, and the other side that was covered and suppressed by the reform discourse — — Especially in the process of radical marketization, individuals encounter trauma and fall into a dangerous and uneasy state of mind. These have aroused the resonance of the current audience. At the end of The Long Season, two Wang Xiang met again in the golden cornfield. The old Wang Xiang waved to the train driver Wang Xiang and told himself in the 1990s to "look forward and don’t look back". This train in the "industrial pastoral" scenery is like another parallel space at the fork of history, heading for a future without darkness and blackening.

　　Since Korean dramas were introduced to China, domestic dramas have also been tainted with "kimchi flavor". The Temptation of Going Home is a remake of The Temptation of My Wife. I accidentally fell in love with you is based on The Love of Life and Death in Blue. My family is happy and adapted from The Rumored Seven Princesses. Falling in love with the anchorwoman can be called the China version of The Temptation of Eve. This year’s hit The Gorgeous Family has exactly the same plot as Project Runway.

　　Chen Shuo, producer of Gorgeous Family and vice president of Xiangchao International:Compared with American TV dramas and Japanese TV dramas, it is much easier to buy scripts from Korean TV dramas. It took a whole year before and after the introduction of the script of the Japanese drama Son-in-law, because it needed to be confirmed by writers, TV stations, artists and artists’ agencies, but the introduction of Korean dramas was different. It took two weeks at the earliest, and the contract was usually two or three pages, with little requirements from the other party.

　　Producer Jin ouChina has entered the start-up period of cultural consumption, but the supply of excellent film and television works is still poor, which cannot meet the needs of the audience. Compared with Korean dramas, the investment in domestic TV dramas is not weak. However, creators often succumb to investors and follow suit, so film and television drama production cannot form a standardized industrial chain. Excellent film and television works need policies, creators and audiences to jointly create a suitable soil and climate. Professional creators and a mature audience market are essential.

　　Yang Lei, Associate Professor of Korean Language Department in beijing international studies university:Korean dramas have entered the China market for 20 years, and the craze has never subsided. After 20 years, few works in the local cultural industry can compete with it, but the influence of Korean dramas on consumers in China has penetrated into real life, which has led to the phenomenon of chasing dramas and idolize to chasing consumption and culture.

　　Drama critic sleeve hand:There are a large number of housewives in South Korea, and the dreaminess of idol dramas can best arouse the resonance of this group. However, the situation in China is different. Most women work, and married women are more willing to pay attention to life-related TV dramas. Therefore, life dramas such as The Story of Hot Mom are the mainstream of domestic audiences. The mainstream orientation of the audience, combined with the separation of domestic production and broadcasting and the influence of the audience’s exclusive viewing theory, leaves little room for idol dramas, a "vulnerable group". Small-cost, third-line actor configuration, it is inevitable that the cottage will appear. This also explains why Gao Yuanyuan, Yao Chen and other first-line movie café s return to the screen to shoot family life themes, and the best resources, talents and equipment are also firmly occupied by life dramas.

　　Famous screenwriter Yu Zheng:For example, Empresses in the Palace and Let’s Get Married can resonate with the audience both on the Internet and on TV. Don’t think that one or two Korean TV dramas have caused a sensation in China, just because domestic TV dramas are not as good as South Korea. In fact, the export of mainland TV dramas is not worse than that of South Korea, but we haven’t made any publicity. I often go abroad and see them show the legendary swordsman. Moreover, many mainland TV dramas caused a sensation abroad, and we didn’t know it until later, and we didn’t do publicity when we knew it. Unlike South Korea, where there was a slight response in China, their director came to China with actors. Since there are only three mainstream TV stations in Korea, there is great competition pressure and the elimination rate is also very fast. The drama was quickly replaced by a new mechanism, which forced Korean TV people to constantly produce new things. This is also the reason why Korean dramas have made great breakthroughs in theme in recent years. At present, there are still many restrictions on theme in China, such as commercial involvement and revenge. Compared with South Korea, the industrial structure is not reasonable enough, and the audience-only theory has also led domestic producers to be keen on repeating the same theme.

　　Compared with the idol dramas of neighboring countries, the idols in our idol dramas are really shameful.

　　■ Turn on the TV in the Spring Festival, and Cai Ming, Fan Ming, Zhao Benshan and Liu Xiaoqing rule the screen;

　　■ Guo Tao and Mei Ting, who are a little younger, are playing the role of their youth;

　　■ Wang Zhiwen, who is about to take over, and Zhang Jiayi and Sun Honglei, who have won the industry in recent years;

　　■ Looking around, there are only a handful of fashionable and beautiful youth idol dramas.

　　China Economic Net Xiaobian has something to say:Most of our young actors can only "run their teeth" in the drama of God. I don’t know if the competition is too fierce and there is no chance to replace those familiar faces, or because the competition is too lax, four plays a year can still earn a lot of money, and there is no need to worry or experience the role. According to industry insiders, if time and funds are available, mainland directors may also shoot works such as "Stars". Just, will the same works be accepted by the audience when they are moved to China?

In 1972, in response to the oil crisis, Soichiro personally oversaw Honda’s first family car, the CIVIC, which, with its practical and fuel-efficient skills, quickly took over the market in Japan and made its way out of Asia and into North America.

However, Honda engineers and Honda Soichiro, who were born with sports and fighting spirit, did not want CIVIC to stop at home. So, in that era, crazy engineers, through the optimization of the engine and suspension, built CIVIC into a driver’s car. Therefore, from the first generation to today’s 11th generation Civic, they not only represent Honda’s understanding of the economy of the car, but also represent Honda’s passion.

If every generation of Civic’s sedan is a clever combination of sports and practicality, then the Civic’s HATCHBACK hatchback model is the best carrier of sports high energy. In the more than ten years since the Civic entered the country, we can also see the Civic’s sportsmanship and evolving ability. In the upcoming Dongfeng Honda 11th generation Civic HATCHBACK, Honda’s sportsmanship is once again witnessed.

After half a century, the Civic hatchback pays tribute to the classics like this

Friends familiar with the development history of the Civic should know that the early generation of the Civic was actually a standard hatchback. At that time, the Civic brought driving fun beyond the sedan with its shorter body and sportier control settings. After many rounds of evolution and iteration, in order to better meet the needs of the times, the sedan Civic came into being and gradually became the mainstream. But despite this, the early hatchback version of the Civic has still become a spiritual totem in the hearts of car fans. In other words, the hatchback version of the Civic is the essence and inheritance of the entire Civic family.

Focusing on the present, the return of the 11th generation Civic HATCHBACK undoubtedly inherits the glory of the Civic family for half a century. In terms of design, it can also be seen that it pays tribute to the classics. In the front part of the car, the difference between the 11th generation Civic HATCHBACK and the current sedan version is not obvious, ensuring the consistency of the Civic family. But in terms of details, the designer has thought carefully about the 11th generation Civic HATCHBACK. For example, in the China Network, the sedan version of the Civic uses a black horizontal bar decoration, while the 11th generation Civic HATCHBACK uses a more sporty honeycomb design, which not only looks more sporty, but also further enhances the recognition of the 11th generation Civic HATCHBACK.

Of course, the side is the finishing touch of the 11th generation Civic HATCHBACK. The hatchback structure that fans like to see makes it inherently have a high return rate. With the current popular blackened through taillights, bilateral double exhaust layout, and large-size sports-style wheels, it greatly increases the refinement of the whole car while enhancing the sports atmosphere. The reason why it is no longer so radical may be that the existence of the Type R makes the 11th generation Civic HATCHBACK closer to the exquisite trend image of the hatchback Civic itself.

Of course, refinement and trend should not be reflected only in the appearance design. So the 11th generation Civic HATCHBACK also keeps pace with the times in terms of interior design, adopting the latest interior design concept of the Honda family. The new style of three steering wheels, through the cellular style air conditioner trend, floating central control large screen, large-size LCD instrument and other elements have greatly enhanced the interior of the 11th generation Civic HATCHBACK with a sense of advanced and technological sense.

If you are careful enough, you will find that the designer also specially used red stitching decoration on the entire interior of the 11th generation Civic HATCHBACK to highlight its uniqueness. Under the collision of red and black colors, the sports genes of the 11th generation Civic HATCHBACK are undoubtedly revealed. At the same time, the blessing of technology and sports will undoubtedly further gain the favor of contemporary young people.

The true Civic spirit is constantly evolving and adapting to the times

As the saying goes: "It is easy to fight the country, but difficult to defend the country". As a classic model that has swept the world, how does the Civic always lead? We can find the answer from the past Civic.

The first-generation Civic, with its easy-to-drive and fuel-efficient characteristics, became the first choice for people’s economy in the context of the "oil crisis" of the year. For example, the third-generation Civic in 1983 created the MM concept to further meet people’s practical needs for family cars. To the eighth-generation Civic, the layered digital instrument panel exceeded all people’s imagination of the technology cockpit at that time. From this, we can draw the essence of the Civic’s evolution lies in its continuous innovation based on the needs of the times.

Nowadays, with the development of the times, the change of technology, and the change of consumer demand, the current car has become more comprehensive. Especially in terms of intelligence, it has become an important indicator that today’s consumers cannot ignore. And Honda designers who have always been good at innovation have naturally sensed the change of consumer demand, and have injected Honda’s latest intelligent configuration and technology into today’s 11th generation Civic HATCHBACK.

For example, today’s people use the car-machine interconnection system with high frequency, and today’s 11th generation Civic HATCHBACK will also be equipped with Honda CONNECT 3.0 intelligent guidance interconnection system. Not only does the car-machine UI have a delicate picture and smooth operation, but the built-in functions have long been rid of the monotony and conservatism in people’s impression of Japanese cars. Real-time road navigation, convenient voice control system, and rich network connectivity functions further bring users a convenient and advanced car experience. At the same time, this system also supports OTA, so that young and fashionable you will always be at the forefront of the times.

In terms of driving assistance, Honda’s best Honda SENSING safety sensor system is also equipped with the 11th generation Civic HATCHBACK. It includes lane keeping assistance system, lane departure warning system, adaptive cruise, traffic congestion assistance, active braking and other functions, allowing you to pursue speed and passion while being foolproof, while also meeting the needs of this era for intelligent driving systems.

The sporting spirit of the Civic is also constantly evolving

The early Civic used a 1.2L gasoline engine with 60 horsepower to meet household needs. In order to better fit the style of driving enthusiasts, the Civic continuously enhanced the engine performance in the later stage. With the appearance of 1.5L engine, VTEC engine, and Earthdream engine, the sports performance of the Civic was also continuously enhanced. Now, the 11th generation of Civic HATCHBACK has also inherited the sports spirit of previous generations of Civic, and has completed a new round of optimization and upgrading for the core power system and chassis system of vehicles.

In terms of power, the 11th generation Civic HATCHBACK offers two sets of powertrain options. The first is the 1.5T engine of the 240TURBO model matched with the CVT gearbox. It has to be said that this is a nearly perfect solution. This high-power 1.5T engine can reach a maximum power of 134 kilowatts and a maximum torque of 240 Nm. This power system is enough to meet the power needs of many fuel enthusiasts. At the same time, the combination of the CVT gearbox can also achieve the best fuel-saving performance at medium and low speeds while ensuring efficient driving.

Of course, if you are an extreme control enthusiast, don’t regret it. Because Dongfeng Honda also introduced the MT manual transmission model of the 11th generation Civic HATCHBACK for you. Under the current wave of new energy, even Volkswagen has announced the cancellation of the manual transmission, but Dongfeng Honda still insists on guarding your driving control obsession, which is really rare for car fans.

It is reported that in addition to the 240TURBO version, the 11th generation Civic HATCHBACK will also provide an e: HEV version equipped with the fourth generation i-MMD. Its built-in 2.0L Atkinson cycle engine with dual motors will bring more powerful performance, but at the same time it can achieve better fuel consumption than the fuel version. This is also the latest achievement of the e: HEV strong electric and intelligent hybrid released by Honda in August. All in all, no matter what kind of power, the 11th generation Civic HATCHBACK is performance-first, to meet the needs of driving enthusiasts first.

This can be seen not only from the power configuration, but also from the chassis structure of the 11th-generation Civic HATCHBACK. Honda engineers’ determination to control progress is even more evident. On the basis of inheriting the advantages of the previous-generation Civic chassis, engineers have also made further upgrades to the chassis, such as widening the rear wheel base to improve the stability of the body when cornering, and also upgrading the bushing material, re-tuning the electronic steering system, and using the front suspension adapter ball head with a lower friction coefficient. All these methods, although more effort and cost are expended, have only one purpose: to further improve the handling performance of the chassis. From a variety of powertrains to the ever-strengthening chassis performance, it is enough to demonstrate the above sentence: Civic’s sporting spirit is also constantly evolving, and the 11th generation Civic HATCHBACK is undoubtedly the best embodiment.

ConclusionThe 11th generation Civic HATCHBACK is not just a brand new hatchback from Dongfeng Honda, it is a model that inherits the sportsmanship of Honda for half a century. Of course, it inherits the sportsmanship of Honda, but also the spirit of continuous innovation. The comprehensive progress from design to texture, from intelligence to performance has also made this upcoming new car have stronger competitive strength, and it has once again demonstrated the sportsmanship of Honda’s blood while perfecting the Civic family matrix.