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Special feature of 1905 film network This winter is somewhat too sad. In the past days, we have sent away one filmmaker after another.

　

Today, the famous Italian film director bernardo bertolucci also left.

I believe that for many fans, to a great extent, it is his works that have opened up their own road to mystery.

　

Bertolucci’s most famous film in China is the biopic directed in 1987. This film is the first film in history that foreigners are allowed to enter the Forbidden City in Beijing for real-life shooting.

As we all know, this film won 9 nominations in the 60th Academy Awards, and 9 were all right. He personally won the Oscar for best director that year.

　

Looking back at his recent news, he was still fixed on the sexual assault scandal in 2016.

However, if we carefully recall the details of public opinion at that time, we can find that there was actually a lot of information in the middle, which was once influenced by editing, malicious dissemination and other reasons.

　

Now that the deceased has gone, Xiao Dianjun still hopes that the public can stop exploring the brain hole of information and leave more to facts and art itself.

　

When it comes to Bertolucci, I believe that many fans first think of The Last Emperor and his sensational masterpiece.

　

Bertolucci’s exposure to movies is actually related to his "film critic" father. When he was a child, his father often led him to the cinema to watch movies. In a subtle way, he also became a movie fan.

Later, he went to Paris, the "movie capital" alone, and soaked in movies every day, feeling the "choppy" of the new wave of French movies.

　

In 1961, he really opened the road to film.

　

At first, he worked as an assistant in the film "Beggar" in pier paolo pasolini, and gradually, he became the deputy director of pasolini.

At that time, he also began to write his own plays.

The next year, pasolini was busy filming other films, so he handed over the filming task to Bertolucci. At that time, the framework of the film was very novel, and Bertolucci asked every suspect in the film to tell his own story.

That year, he was 22.

　

After the release of Death, it won unanimous praise because it portrayed the state of many Italian people at the bottom. Of course, this young film man is not satisfied with this.

　

Two years later, Bertolucci returned to his hometown of Palma and made the film Eve of Revolution.

This is the first time that he has added political consciousness to the discussion of human nature.Coming from a middle-class family, he has always been extremely disgusted with the decadent life of the bourgeoisie. Previously, he had joined italian communist party with the help of pasolini.

In On the Eve of Revolution, you can see a lot of films after Bertolucci. At the same time, we can also see the great influence of French new wave director Ge Daer on him.

In 1969, Bertolucci co-directed the film with Ge Daer, pasolini, Bellocci O and calori Zani.

The film was shot during the Vietnam War, and they expressed their views on the political situation at that time through five different stories.

The following year, Bertolucci wrote and directed the film, and his strong personal style became one of his masterpieces.

In 1972, Bertolucci began his second decade of filming. It was also this year that he made one of his most famous films.

This film successfully pushed him to the international stage, and also created Marlon Brando. No one ever thought that this film once pushed the director and the leading actor to the limelight after 30 years.

In fact, this film has been controversial since its release. Although it was nominated for Best Director and Best Actor at the 46th Academy Awards, it was banned from being shown in Italy at that time because of the plot of homosexual sex, and the government ordered the destruction of the master film. The director himself was deprived of his citizenship by the court for five years and sentenced to four months’ probation.

　

Five years later, Bertolucci filmed his first masterpiece — — 《1900》。

The film is set in the turbulent period of Italian society in the early 20th century, spanning 40 years, and tells the story of hatred and struggle under class contradictions and family disputes.

Not only was the subject matter of the film extremely sensitive in Italy at that time, but the film lasted for more than five hours, which led to the fact that no distributor was willing to accept it and was once banned.

Later, the film was cut for nearly 70 minutes before it was shown in American theaters.

　

Although the political and erotic contents of Bertolucci’s films were too sensitive at that time, the film company did not give up the investment in his films.

　

In 1979, he made a film with a more extreme theme — — .

In the film, he designed many scale pictures that challenged ethics, and even joined the love between mother and son. Frankly speaking, such content will be controversial in the present.

　

Although the subject matter is more and more biased, in the film space, he began to create some novel and thoughtful content, which is gradually different from other directors in the same period.

　

The 1980s was the third decade of Bertolucci’s film career. During this period, he made the film The Last Emperor.

All along, everyone has this saying:A foreigner made the most authentic and China-flavored Qing Palace drama.

　

This film has a unique angle, and tells the ups and downs of China’s last emperor Puyi in the Qing Dynasty by flashback.

Shooting "The Last Emperor" is very exciting for this great world director. In his own words, it is "For me, China always hides in a strange fantasy but does not belong to a part of my world.. "

　

In order to make this film well, he started preparations in 1984 and made a shooting budget of about $25 million. At that time, I even wanted to find Marlon Brando, a British teacher who played Puyi. Unexpectedly, the other party was unwilling to go to China. Finally, it was decided that Peter Otto would play.

At that time, there were 150 Chinese, 100 Italians and 20 British, and there were 30 translators.

Although Li Hanxiang, the great director, has also made films in the Forbidden City before, Bertolucci was the first director to make a feature film in the Hall of Supreme Harmony, and so far, he is the only one. Because the buildings in the Forbidden City are all made of wood, the photography team was once worried about accidents, so it was impossible to place equipment in the Hall of Supreme Harmony.

At that time, it coincided with Queen Elizabeth II’s visit to China, but because of the filming, the plan to visit the Forbidden City was cancelled.

　

In 1988, Bertolucci won his first Oscar for best director for The Last Emperor. When he took the stage to receive the award, he said excitedly, "I want to thank Chinese and China, the China government for allowing me to film this’ beautiful country’, and John Lone, Chen Chong and many Chinese who are unknown before and after the camera. I should kowtow to them in Chinese style. This is the most exciting moment in my life, and I can’t hide it. "

Of course, in each period, Bertolucci has his own outstanding representative works. In the 1990 s,, were all films that had to be mentioned.

　

Of course, in the later period, the pace of his creation slowed down relatively. However, the film created in 2003 cannot be ignored.

For many people, this is probably one of the best youth films.

　

Especially in the movie, three people imitate Ge Daer’s movies and walk hand in hand across the Louvre. At the same time, the scenes of focus plane and The Outsider are constantly collaged and rewritten, and reality and illusion are intertwined, which has become one of the most fascinating scenes of this film.

In this film, in addition to the political nature, the three protagonists’ fascination with the movie, which imitates the scenes of a classic movie clip every day, has also fascinated many fans.

Among them, in addition to "The Extralegal", there are other films. These wonderful movie stalks just blend in with Paris, the magical movie capital.

　

Three people get to know each other, know each other, love each other because of the movie, and finally leave each other. And all this comes from the magic of images.

　

Looking back, it seems that this is the film road of Bertolucci’s life. However, now that he is asleep, he has started another movie dream.

　 　 Special feature of 1905 film network 　In 2015, a biography of Zhang Yimou was published. According to the book, in the summer of 1985, during the filming of a film, Zhang Yimou witnessed a UFO.

　 　 This book quotes Zhang Yimou’s words in a direct quotation, which is positive and convincing.

　 　 Zhang Yimou was convinced that what he saw was a UFO.

　 　 Many years later, a reporter asked Chen Kaige, the director of the film, about the UFO incident.

　 　 Director Chen made a surprising statement, saying that he was there that night. When the reporter asked about the authenticity of the UFO, Chen Kaige shook his head gently and kept it a secret.

1905 solo broadcast on the whole network　Grand parade

　 　 This mysterious film is Parade, Chen Kaige’s second work.

　 　 However, the point of view of the film is by no means limited to "anecdotes". After watching the whole film, you will be hit by Zhang Yimou’s photography.

　 　 Chen Kaige’s film, however, was upstaged by Zhang Yimou.This incident is the real highlight of the military parade.

Brilliant Zhang’s aesthetics shook the film world

　 　 The authenticity of "UFO" is beyond examination, but Zhang Yimou should have seen something "unusual" that night.

　 　 The incident happened before the "Military Parade" started. Now, it seems like an "inspiration" to Zhang Yimou.

　 　 It’s like he got through the "Ren Du Er Mai" and made an extraordinary picture.

Zhang Yimou (first from the right) is on the cast of One and Eight.

　 　 In 1983, Zhang Yimou just graduated from Nortel and was assigned to Guangxi Film Studio.

　 　 In the same year, under the promotion of the old factory director Wei Bida, he became a member of the first "youth film crew" in China and served as the photographer of the film One and Eight.

　 　 This year’s graduates have created films independently, which is unprecedented in the country. Zhang Yimou caught a golden opportunity.

　 　 Compared with the previous domestic films, One and Eight has made a big breakthrough in style, and Zhang Yimou has made great contributions as a photographer.

　 　 The film is visually subversive.

　 　 Use more natural light and pay attention to the realism of images. Abandon the "theatrical use of light" of similar films before.

　 　 Pay attention to the aesthetic feeling of picture modeling, and the composition is concise and "geometric". Let the image be no longer just a "picture of lines", and strive to be "visual" in narrative.

　 　 After the publication of One and Eight, after controversy and discussion, it finally won the approval. Therefore, Zhang Yimou was invited by Chen Kaige to be the photographer of Yellow Land.

　 　 The image style of Yellow Land is similar to that of One and Eight. While keeping the previous thinking, Zhang Yimou also made a breakthrough.

　 　 The film continues the natural light and "realistic style" of "One and Eight", however, it takes a bigger step in the picture modeling. The theme of "Yellow Land" gave Zhang Yimou the soil to experiment boldly.

　 　 The film’s discussion on the relationship between man and land allows Zhang Yimou to use a more radical composition and try to outline the modeling combination of characters and space.

　 　 The paragraph of "begging for rain" in the film embodies the visual experiment of the main creation.

　 　 There are two works as the base, and Zhang Yimou’s image ideas are beginning to appear.

　 　 Since then, he has continued to cooperate with Chen Kaige, and the next film is the masterpiece of his initial style.

　 　 After "Yellow Land", the cooperation between Chen Kaige and Zhang Yimou was getting better and better, and the filming of "Grand Parade" started non-stop.

　 　 On the one hand, the cooperation between them is more tacit, on the other hand, the theme of "military parade" is a natural "picture experiment field".The right time, the right place and the right people, those amazing images of "The Great Parade" came into being.

　 　 The scene distinction of "The Great Parade" is very clear — — Indoor and outdoor.

　 　 There are probably two views of barracks and bathrooms indoors, while there is basically only a training ground outdoors.

　 　 Due to the characteristics of military parade training, the lens outside the film has almost become a "composition laboratory". People and the environment make up all kinds of "lines" and "figures", which makes the picture "geometric beauty" everywhere.

Diagonal composition in the Great Parade

　 　 When representing the whole queue, diagonal composition is often used.

　 　 Avoid the formation of parallel lines between the team and the picture frame, and try to break the monotonous state of the picture.

The iconic close-up of the Great Parade

　 　 When shooting a single person, we often use the "Lionel style" to compose a close-up of the face.

　 　 This technique highlights the individual characters, which is in contrast to the "dense" picture when expressing the "collective" and closely follows the theme of the film "the relationship between the individual and the collective".

　 　 In addition, Zhang Yimou often regards the whole queue as a subject, and makes a fuss about the relationship between the environment and the subject with a larger perspective.

　 　 The same way is also presented in One and Eight and Yellow Land, which can be regarded as a continuation of style.

Indoor drama photos of "Grand Parade"

　 　 The outdoor drama of the Great Military Parade is "face" and "lining" is an indoor drama. Surprisingly, the light of "Lizi" almost overshadowed "face".

　 　 The photography of indoor drama is actually the real brilliance of the Great Parade.

　 　 The scene of the opening physical examination of the film is very subtle.

　 　 Chen Kaige concealed the sound of the scene in the later period, while Zhang Yimou used the lens of the medium telephoto end to shake and wander among the people undergoing physical examination.

　 　 Using the moving crowd as the foreground to express specific characters is the symbolic composition of the Great Military Parade.

　 　 Zhang Yimou and Chen Kaige want to visualize the theme of "individual and collective" through this relationship of depth of field.

Bathroom of the Great Parade

　 　 Bathroom drama also followed the previous shooting method, and more resolutely used the way of "people making prospects".

　 　 In addition to the function of being close to the theme, this way is also in place in the description of the atmosphere, and there is a sense of participation in the scene.

　 　 The use of silhouette in the film is also very careful.

　 　 Interspersed use in indoor drama plays a boosting role in establishing characters.

　 　 In addition, the film tried a lot of complicated scene scheduling.

　 　 Use the movement of the camera to match the position of the characters, so as to add richer and more three-dimensional content to a single shot, and strive to break the monotonous techniques of domestic films for many years.

　 　 It can be seen that although the scenes of the military parade are "graphic beauty" to attract attention, the breakthrough and ingenuity of indoor drama is the key to the title of "visual feast" for the Great Military Parade.

　 　 Zhang Yimou’s talent was fully displayed in the Great Parade.

　 　 Of course, the film is under the control of the director. The talent of a photographer can only be known to the world if it is appreciated and recognized by the director.Therefore, the partnership between Chen Kaige and Zhang Yimou is very successful.

　 　 At that time, they didn’t know what they would achieve in the future.

　 　 Now, as the two most successful directors in the "fifth generation", their early experience of "combining two swords" has quite a sense of "heroes cherish each other".

　　[Aika Auto 2023 Guangzhou Auto Show Original]

　　At the 2023 Guangzhou Auto Show, ARCFOX Polar Fox brought a brand-new pure electric medium-sized SUV— — Compared with Alta T, which is also a medium-sized SUV, the new car is slightly smaller in size, and will compete with BYD Song PLUS EV, Volkswagen ID.4 and other models after listing.

　　In terms of appearance, the new car adopts a new design language, which is different from the Alfa T on sale. The front face adopts a narrow strip-shaped front grille, which is connected with the headlights with long and narrow shapes on both sides to widen the visual width of the new car. At the same time, the new car also adds raised ribs at the hood of the engine, which has a strong sense of muscle. The diversion grooves on both sides of the lower enclosure further increase the sense of movement of the vehicle.

　　The side of the car body is in proportion, the window line is decorated with black trim strips, the door handle is hidden, the front and rear wheel eyebrows are clearly depicted, and the rim is blackened with red brake calipers. The roof tilts from the A-pillar, creating a slip-back appearance. A waistline runs through the front and back, and with the black decorative board below, the feeling of forward dive is increased.

　　The rear design is relatively simple, with integrated taillights, blackened rear bumper and taillights, and a low warning light in the center of the diffuser below, which increases the overall layering and movement. In terms of size, the length, width and height of the new car are 4690*1936*1650mm and the wheelbase is 2845mm respectively.

　　In terms of interior, the new car adopts the minimalist interior design that is very popular at present, and the door adopts two-color design to create a sense of fashion. In addition, the new car is equipped with a large-size central control screen, and the shape of the dual-spoke steering wheel is more sporty. The car is also equipped with atmosphere lights, wireless charging of front mobile phones and HUD head-up display.

　　In terms of power, the new car is equipped with a front single motor and offers high and low power versions to choose from. Among them, the maximum power of the low-power version motor is 185kW, and the maximum power of the high-power version motor is 200kW. The suspension structure of the chassis is designed with front McPherson and rear multi-links. The battery is also available in Ferrous lithium phosphate and Lithium Ternary.

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